Thursday, 28 July 2011

Knitting in a Summery Picture



La Tricoteuse
Lionel Percy Smythe
(1839-1918)
English
Watercolour on paper
Trustees of the Royal Watercolour Society
London
RWS137244
Source: WikiGallery.org

This painting, undated (late 19th/early 20th century?), is full of hazy summer light and a gentle breeze which blows the skirt and apron of the knitter forward, along with the wool. She seems to have paused in working on a stocking or a sleeve, which, though knit in the round, has only two needles visible in the painting. I hope the other two or three needles are just out of view. I would also have liked to see where the wool is coming from – a basket, workbag?

Sunday, 17 July 2011

Gentleman’s Drawers – Finished!



This is the summer of completion – I hope! Another project is off the needles at last, the Gentleman’s Drawers from Weldon’s Practical Knitter, Eleventh Series (c. 1880s.) I worked from Interweave Press’s facsimile edition of Weldon’s Practical Needlework, Volume Four.

The drawers were knit in just under six skeins of Nature Spun Worsted, Silver Sage and one skein of the same in Red Fox on 4.5mm/7 US needles. The legs were knit in the round, and the hips to the waist back and forth on straights.

The original pattern called for “light grey or natural colour wool” and “one skein of scarlet wool,” both in “petticoat weight” knit on “four steel knitting needles No. 12” (modern equivalent 2mm/2.5US.) “Should petticoat wool be considered too heavy 5-ply fingering may be employed.” These drawers are described as “very thick and warm.” Petticoat patterns from earlier in the century, however, usually called for the equivalent of fingering weight wool. Hence my choice of Nature Spun Worsted which is a 3-ply wool, perhaps coming closer to the 5-ply fingering. I would have, however, have had a very difficult time knitting with the 3-ply on 2mm needles and if I had knit in a fingering weight wool on 2mm needles, the drawers would have come out in a size to fit a boy and not a man. Swatching in the beginning was essential when playing the all too frequent guessing game of wool equivalency weights during various eras, even within the same century.

This pair of underdrawers measures 49” from waist down to and including the red border of the ankle cuff, the inside leg is 27 ½” and the ankle cuff, including the red border, 3 ½”. The button band is 11 ½” long. The legs are is 20” at the upper thigh, 15” at knee, and 8” (unstretched) at ribbing of ankle cuff. The hips are 40” as is the waist. The drawers were knit in two separate leg and hip pieces and then sewn together up the back. The roominess in the seat of the drawers was created by half rows every sixth row on each side or leg/hip piece. Stitches for a square gusset were picked up from one of the inside crotch sides and sewn onto the other three sides when completed

The final touches include knitted eyelets in the waistband (for braces/suspenders), red flannel lining at the waist down to the hips, scarlet tape and braid for trimming, and stitching in silk thread around the flannel/knitted buttonholes as well as the decorative stitching in the front from the button panels outwards as seen in the original illustration. I did not do any of the above.


Thursday, 14 July 2011

Bastille Day and Knitting


Madame Sans Culotte
Lesueur/Le Sueur Brothers
French, 1789
(Stipple engraving?)
Musée de la Révolution Française, Vizille , France, 88.179

I have no French blood in me but I have spent most of my life studying the late18th-early 19th century so July 14th always puts me in mind of literature’s most famous knitter, Madame Defarge (A Tale of Two Cities by Charles Dickens, Weekly serial in All the Year Round, 30 April 1859, to 26 November 1859). The knitting on the needles in this image is a Bonet Rouge. I have seen versions of this image with more vivid colour at (http://www.bridgemanart.com/image/French-School-18th-century/Madame-Sans-Culotte-c-1789-colour-litho/f8e7f97fc3f746abaa037908e76ff4e1?key=knitting&filter=CBPOIHV&thumb=x150&num=15&page=207) and a larger, sharper image at http://www.ucl.ac.uk/news/ucl-views/0801/madame

For an interesting analysis of this print, see
http://chnm.gmu.edu/revolution/imaging/essays/hickman2.html

Tuesday, 5 July 2011

Knitted Lace Collar No. 2 - Part Two




I am now knitting the "lace" section of this collar. Once again, it is an eight row sequence which is clearly written and enjoyable to knit which led me to reflect that in less than ten years, the art of pattern writing, including the suggestion of needle sizes and materials, had become vastly improved. The Workwoman's Guide (1840 - Second Edition), which I use for knitting and sewing, still relies upon intuitive knitting and background skills in design whereas this little pattern book for collars, published some six years later is highly specific and includes illustrations which are, so far, accurate. The illustration for this collar, which is a drawing, is, however, truncated in length. I wonder if visual sizing was sacrificed so as to make a larger image of the knitted stitches for which I am grateful.

By the way, this book of collars was in its fourth edition in 1846.

Sunday, 26 June 2011

Lady's Knitted Under Petticoat - Finished!



It came out, however, rather too big in the body and much too big in the waist. I am thinking of letting the ribbed part fall down on my hips and sewing on a wide satin waistband, probably drawstring. If it is all still too big, I will have to make another one, this time in a fingering weight wool which I already have. That weight is closer to the original in the pattern but I wanted a dense, warm petticoat so I decided to use the sport weight instead.



There are, of course, what seems like hundreds of ends to sew in! Tedious as that sounds, I spent about an hour working on just that and got half of one seam finished so another four or five hours should do the trick. I will have to space this part out over a few days or I shall run mad! Even though I am a quilter and do 98% of my piecing and quilting by hand, and also do canvas work, crewel and embroidery, I hate the sewing part of any knitting project. The panels are meant to joined in “single crochet” but that, combined with my skill in crocheting, would truly drive me over the edge.



The petticoat was knit on 3mm/2.50 US needles, in Brown Sheep Nature Spun Sport, using five skeins of Scarlet and two of Snow. The original pattern is from Godey’s Lady’s Book, December, 1864. It does not suggest a needle size, gauge or garment size but does recommend “four-thread scarlet fleecy” (laceweight modern equivalent)

Monday, 20 June 2011

Knitted Lace Collar No. 2




This piece is from “The Knitted Lace Collar Receipt Book,” “Arranged by Mrs. G.J. Baynes, “ “Fourth Edition,” “1846.” These are the “Fancy Row(s)” part of the collar. After this, I have to knit the “Lace” section and then some finishing rows.

The eight row pattern is logical and, without interruptions, I can knit six sets in about an hour. It is still, however, slow going; note the yellow wool markers that are close together which mark one set of eight rows and measures just under 3/8”. The other, longer yellow wool marker is at the half-way point of the collar, approximately 9 ½” long. The width is just over 1”.

Mrs. Baynes suggests “Needles, No. 16” and “Clarke’s Paisley Cable Laid Thread, No. 38 or Boar’s Head Cotton, No. 44. There is also an illustration for each of the four collars. Such an abundance of information! All that is missing is gauge/tension.

I am knitting this collar with DMC Cébélia, Blanc No. 10 on 1.75mm needles which are roughly the equivalent size of the “No. 16” of the pattern. I say “roughly” as my printed guide to conversions lists the Bell Gauge sizes of 15-17 as 1.75mm and my own Lacis Gauge is letting my Inox 1.75mm needle jiggle around a bit in the 1.75 opening but will not allow more than the tip into the 1.50mm hole.

I need to do more research on collars from this era to see if I am close enough in size. I do not feel as though I have captured the delicacy of lace in the illustration which, so far, does resemble the stitches that I am knitting.* The pattern is visible but will probably need a dark garment underneath to show it clearly. The collar also feels a tad heavy. The next one I knit will be in a thinner cotton weight.

*Some illustrations in 19th century printed patterns differ from the finished item or show features not included with the pattern as in the “bracelet” of the 1855 Mitt (http://books.google.com/books?id=K8ZMAAAAMAAJ&pg=PA169&dq=godey%27s+magazine+knitted+mitt+bracelet&hl=en&ei=sEz_TaF31N2BB8X3hN4L&sa=X&oi=book_result&ct=result&resnum=1&ved=0CC4Q6AEwAA#v=onepage&q&f=false)

Saturday, 11 June 2011

Worldwide Knit in Public Day/Week 2011


Fisherman’s Children in Zandroot (1882)
Fritz von Uhde (1848-1911), German
Oil on canvas
60 x 80 cm
Osterreichische Galerie Belvedere, Vienna, Austria
Source: Bridgeman Art Library


My thanks to everyone who reads this blog. I hope some of you are out there today and through this coming week, knitting in public!