Tuesday, 7 June 2011

Stockings from 1817



This pattern is from The Knitting Teacher’s Assistant Designed for the Use of the National Girls’ School, printed in 1817. The facsimile edition, which I used, is available from Robin Stokes (www.robinstokes.com) In the introduction to the facsimile edition, Ms. Stokes writes that she believes this instruction book is the earliest printed pattern currently available. As of May, 2011, there seems not to be anything earlier that has survived in English. Ms. Stokes also writes that “The original purpose of this book was a charitable effort to teach the poor to knit for extra income.”

There are patterns for five sizes of stockings and three sizes of socks with a “scale” (sizing/stitch chart) at the end for both stockings and socks. The pattern, itself, is presented in a question and answer format, e.g., “Q. How do you cast on the stitches? / A. I take the worsted that is on the ball in the right hand…” The stocking is not difficult to knit and the older knitting language is easily interpreted.

I knit the smallest size stocking. There are also patterns for a man's stocking and socks, respectively, knit in lambswool.

In keeping with the times, there is no tension/gauge or needle size stated although “coarse worsted and large needles” are suggested. I followed these instructions by using 3.25mm/3US needles which are larger than the usual sizes I use for reproduction stockings. I also chose Harrisville Designs’ Shetland (two ply) as it is twice the thickness of the usual finer weight wool I use for 18th/19th century stocking; it gave me 7 ½ stitches to the inch. I adore knitting with this wool and, in this case, the gorgeous Marigold color was so bright and cheerful, a definite antidote to Second Stocking Syndrome.

There is no welting or rows or panels of garter stitchs. "Six rounds ribbed" (italics in the original pattern) of "three stitches plan and turning three" (knit three, purl three) instead. Do the italics stress the departure from the older style of stocking top? The narrowing or decreases were knit two together on the right side of the turn or seam stitch, right leaning as is typical of the era, and on the left of the seam stitch, a knit one, pass the next (unknitted) stitch over the knitted stitch. A single knitted stitch, as usual (although I have seen two), was left on either side of the seam stitch on the leg.

The foot had and extra stitch knit “in the loop” either side of the instep “to prevent holes in the corners.” There were also instructions for widening the “heel sides,” as is evident in the photographs from the outward slope on the bottom of the flattened feet.

The toe decreases are not the usual every alternate row but are done in different numerical sequences.

When starting a new ball of wool, it is suggested that the "end of the worsted" be "knit in with the first three stitches."

I followed the exact directions throughout (which is unusual for me) and thought that the leg was a bit short in proportion to the size of the foot. I am 5’3” and have legs in proportion to that height but the stockings only come up to my knee and do not go over them at all. On the other hand, or foot, so to speak, my shoe size is 37 ½ mm/7US, and the foot of this stocking is a good 2 ¾” longer than my foot. It is also a bit roomy on either side of my foot as a result of those added side heel stitches.

The final measurements for the stockings are 10 ¼” around the leg under the ribbing, 8” around the ankle, 10” around the widest part of the foot and 8" around the narrowest part of the foot, between the two sets of decreases. The stocking, from the top of the ribbing to the bottom of the heel measures 18 ½”.

I plan to make the socks, next, but will adjust and fit them more to my foot so I can wear them.

Thursday, 2 June 2011

Princess Royal's Scarf



This is easy and quick to knit. The pattern is from Godey's Lady's Book and Magazine, March, 1856, page 264 (http://books.google.com/books?id=R8dMAAAAMAAJ&pg=PA264&dq=godey%27s+princess+royal%27s+scarf+1856&hl=en&ei=njzoTZHOBYbZgQfql7SoAQ&sa=X&oi=book_result&ct=result&resnum=1&ved=0CCoQ6AEwAA#v=onepage&q&f=false)

The technique is similar to the Sortie Cap in that it is striped and stitches are dropped and pulled to create the lacy effect. I did a swatch to estimate the length based on the image in Godey's and one that would fit me, ultimately adding 64 to the original 130 stitches.

The original pattern did not specify the weight of the wool but did state "No. 15" sized needles (modern equivalent is 1.75mm/00US. After experimenting with the smaller needles and working my way up to a size which gave me that lacy effect in the image, I ended up with 4.50mm/7US needles - quite a difference. I also did not like the "tassels" in the original image, which looked like fuzzy plants of some sort and opted, instead, for the stranded style.

The wool is Knit Picks Palette in Blush and Silver, using one skein of each, with about a third of both left over.

Thursday, 19 May 2011

18th Century Man's Pocketbook



The reproduction18th century man's pocketbook is finished. It has mistakes in the stitching and I am not happy with the initials and their box but overall, I love it! I greatly enjoy doing this type of work and just have to be more careful in the future or catch my mistakes sooner than six rows afterwards or summat like that!



The pocketbook measures 7 ½” across and 7" long, opened flat. The interior is lined with cardboard and handwoven green silk. The tapes are woven wool and all of the sewing was done by hand with linen thread. The pocketbook, itself, was stitched on 30 count linen with naturally dyed wools from Textile Reproductions. The linen and the wools are from a kit purchased about twenty or more years ago but I did not exactly follow the colour chart in the kit.



My thanks to my father for holding open the pocketbook, and please excuse the Christmas tablecloth in the background which has finally been put away for the year!

Monday, 9 May 2011

Early 19th Century Knitting


Mrs. Eunecia Street Stebbins (1759-1817), 1805-1806
Reuben Mouthrop (1763-1814), American
Oil on canvas under glass
30" x 24"
Owner: Howard S. Ranson, Connecticut
(according to the Art Inventories Catalog
Smithsonian American Art Musuem
Smithsonian Institution Research Information System)


I love portraits of the American colonial era and I particularly like this painting. I have a large photograph of it from a catalogue from Christie's (1998) which shows the beautiful green fabric of the gown, the black lace shawl, the fabulous cap and, of course, the stocking on the four exquisite thin needles. The sitter, as in many paintings that are called primitive or folk art has a misproportioned body in that the arms, in this case, are too large and low for the body, and are far forward in the image. The hands are very big and the skin is a dusky pinkish-white with grey shadows all over. The face, though, is kindly and sweet, with more expression than is usually found in this genre. Mrs. Stebbins looks out directly at us, a hint of a slightly lop-sided smile about to break out, and no suggestion of annoyance in being disturbed at her knitting. On the contrary, she looks pleased to see us unlike other painted knitters who have graced this blog.

The knitting is of great interest and right there in the foreground, nice and clear. Four medium-length thin needles with a stocking begun in a very fine yarn - wool, silk, linen? There are no slubs in this yarn but, since it is in a painting, this means nothing. One can, however, almost count the stitches, 48 and about 10 more or so on the nearest needle, and 28 and a few more on the back needle. There are some, though not too many, on the needle closest to the body and none, as far as I can see, on the remaining needle, as if Mrs. Stebbins was just about to start working with that empty needle. Even though this is a painting, and so the accuracy cannot be trusted, the stitch count is not far off from a stocking I am currently knitting from The Knitting Teacher's Assistant, dated 1817, which is held to be the earliest collection of printed *patterns* currently available, at least in English. Mrs. Stebbins is knitting with very thin needles and fine yarn whereas the pattern suggests "coarse worsted and large needles" so I am using 3.25mm/3US needles and Harrisville Designs 2 ply Shetland wool in Marigold. I adore the texture and colour of this wool so I am whipping up these stockings fairly quickly and will discuss them in another post very soon.

Tuesday, 26 April 2011

Gunnister Stockings Finished!



Both stockings finished. I just wish I could capture the true shade of the greenish-brown of the wool. It is such a lovely, warm colour but it just does not appear as such on camera indoors or out of doors.

Thursday, 21 April 2011

Irish/Flame Stitch Huswif Completed!



Not perfectly stitched on 30 count linen in vegetable and plant dyed wool from Textile Reproductions. Unlike many surviving examples of this type of stitchery, I did not have a repetitive colour pattern but mixed the sets variously in a vain attempt to use up my stash of embroidery wool. The woven wool tape is from Wm. Booth Draper. The interior fabric is hand-woven silk in that wonderful shade of green and the exterior binding stitching is in linen thread. The embroidered initials and date are worked in vegetable/plant dyed silk thread purchased from Textile Reproductions many years ago.



There are three pockets filled with sewing supplies which is why the huswif folds rather than rolls when wrapped up and tied. The pin-cushion is made of green felted woven wool fabric and filled with picked and rinsed fleece which still contains a fair amount of lanolin in it.



The finished measurements are 4" wide and 13" long.

Tuesday, 12 April 2011

Another Pair of Mitts from 1855



This spring has been rather chilly so I whipped up a second pair of mitts for myself, in bright white and pale blue Templeton’s H&O Shetland Fleece wool, on 2.25mm/US 1 needles and 2mm/US 0 for the “bracelet.” The pattern is from Godey’s Lady’s Book, Knitted Mitten and Bracelet, Godey’s Lady’s Book and Magazine, Volume 51, August, 1855, pp. 169-170.

For more information about these mitts and their pattern, see my blog post of 24th of November, 2009 (1855 Mitt Revisited.)

As usual, I loved working with this wool!