Holiday Gift

In this season of exchanging gifts, here is one that I knit for a good friend and colleague who is also a superb knitter. Since I make so many interesting little objects from the past, this miniature ensemble could be a modern companion to some of my former projects.  

The Yarn Basket and its contents were made on 2.0mm needles. All of the yarns are Knit Picks’s Palette. The Yarn Basket’s pattern  is from Winter Wonderful, a booklet published by Knit Picks, with designs by Kerin Dimeler Laurence and Nina Isaacson. The basket is made in Sweet Potato and measures approximately 3” long and about 1 ½” square at the base. The knitting is in Whirlpool on toothpicks with glued-on beads for the knobs of the miniature knitting needles. The little cap is from the Jayne Cobb Hat Pin pattern, in Bison and Pimento, and is about ½” tall. The Icelandic Sweater is from Miniature Sweaters by Betty Lampen, is knit in Peony and Ivy and is just over 1 ¾” tall.

The little sock, 1 ¼” tall, is my own design, and is knit in Canary and Majestic.

As a finishing touch, I made a cord of various yarn scraps for a loop to go through the handles of the basket so it could become an ornament on the tree.

Knitted Nightcap from Weldon’s

This pattern is from Weldon’s Practical Knitter, Eleventh Series, No. 46, 1889, and can be found in Interweave Press’s facsimile, Weldon’s Practical Needlework, Volume Four, 2001.

I have been living with this nightcap for over ten years. I have knit it five times in all as it kept coming out in different sizes. The sizing problem lay first with the choice of cotton (unknown, label-less from my stash) and trying to knit with a weight that was too heavy for the very fine needles suggested by the pattern, “No. 16 steel knitting needles” (modern equivalent 1.75mm/US 00.) I then moved up to larger needles, 3mm/US 2-2.50, with DMC Baroque Crochet Cotton, and it came out far too large. Another very, very fine, again, label-less cotton in my stash yielded two baby’s sized versions on 3mm/US 2-2.50 and 2mm/US 0 needles. I finally decided to go back to the 19th century sized needles of the pattern.  J&P Coats Royale Classic Crochet Thread (Size 10) was the last choice of cotton and it seemed to be a near match for “Strutt’s knitting cotton, No. 12” as the finished piece looks close to the illustration in Weldon’s and it fits my head.

The cap’s crown is knit first and then seamed up the back. The “Strip of Knitting” that goes around the neck is just that – a long narrow piece that is sewn onto the lower part of the cap. The last part is the lace edging which runs around the entire cap. It is also knit separately, and then sewn on. “A string of crochet chain worked with double cotton and finished off with a tassel at the end” for each side completes the cap.

The pattern states that the cap could be made in “a lady’s size” or for “a gentleman” by using larger needles, “No. 14 or No. 15” (modern equivalent up to 1.75mm - 2.mm/US 00 - 0), and “a coarser cotton…No. 8.”

All quotations are from Weldon’s Practical Needlework, Volume Four, Interweave Press, 2001

Happy Birthday, Jane Austen!

Cross-stitch on 32 count linen, DMC Mouliné Spécial 25. The silhouette's pattern is my own design, measures approximately 5 ½” long, and is based on the image found in the collection of the National Portrait Gallery, London.* 













*http://www.npg.org.uk/collections/search/portrait/mw00229/Jane-Austen

Knitted Lace Collar No. 2 – Finished!

This pretty collar from “The Knitted Lace Collar Receipt Book,” “Arranged by Mrs. G.J. Baynes, “ “Fourth Edition,” “1846.” is finally off the needles. It is rather heavy and needed fairly stern blocking with pins at every point and a double row through the middle and inner edge. In spite of the pinning, not every point stretched out. The next time I wash and block the collar, I will have to make sure that the points are truly pointy. There are also a few points which are not perfectly knitted.

The two ends do not match, according to the pattern but, covered by a brooch in closing at the throat, would not show. The collar measures 22” in length and 2 ¾” in width.

The collar was knit in two pieces on 1.75mm/00 US, and sewn together with quilting thread.  A final set of fourteen rows should be knit along the top of the collar but I did not do this as the collar was quite wide already.

Former posts about each stage of this project may be found at

http://historyknits.blogspot.com/2011/06/knitted-lace-collar-no-2.html

http://historyknits.blogspot.com/2011/07/knitted-lace-collar-no-2-part-two.html

http://historyknits.blogspot.com/2011/11/knitted-lace-collar-no-2-part-three.html

Comb Bag

This pattern comes from Weldon’s Practical Knitter, Number 17, Fifth Series (1887). It is also published in Weldon’s Practical Needlework, Volume 2, Interweave Press, 2000.

There is no actual pattern for the comb bag, only a suggestion and stitch count to make this case at the end of the Nightdress Case pattern in the same edition.

The original pattern for the Nightdress Case calls for “Strutt’s knitting cotton, No. 6” and “a pair of steel needles No. 12” (modern equivalent 2.50mmmm/US 2. No gauge or tension or finished size is stated. This bag would certainly hold a small hairbrush and comb, and a few other accessories for the hair but not one of those lovely large brush and comb sets from the 19^th century. Both cases are knit into a zigzag lace strip fabric which is trimmed with a lace edge whose pattern is included in the one for the Nightdress Case. The cases should be lined with “pink sateen.”

I had originally started the Nightdress Case in white thread some years ago but changed to this lovely powder blue after discovering it last winter. Both bags are being knit on on 2.5mm/US 2 size needles, using Aunt Lydia’s Classic Crochet thread (Size 10) in Delft. I have the Nightdress Case on the needles, too, with the same thread, but I thought this smaller bag was a good warm up exercise for the larger project. A good thing, too, as perhaps I can make myself pay more attention to the larger case since there are glaring errors in the lower front part of the lace trim of this bag. I can only say that knitting lace in a poor light is a bad idea and advise that all handwork should be checked every now and then during its production.

The bag measures 8” x 5 ¼”, or 7 ¼” by 11” including the lace border. It is lined with pink imitation silk and trimmed “with strings of pink ribbon to draw.”*

*Weldon’s Practical Knitter, Number 17, Fifth Series (1887)

Reticule or Knitting Bag

  

This pattern comes from Weldon’s Practical Knitter, Number 125, Thirty-First Series (1896). It is also published in Weldon’s Practical Needlework, Volume 11, Interweave Press, 2004.

The materials suggested are “dark coloured fine macramé twine, a very little light coloured fine macramé twine” and “braid or ribbon measuring three quarters of an inch in width.”  I used DMC Cébélia Cotton, Size 10 in number 3033 for the entire bag, with no second colour, and brick-red grosgrain ribbon. The bag should be knit on “a pair of bone knitting needles No. 7” (modern equivalent 4.25mm/US 7.)

To quote the pattern again, the bag “is worked in an easy but effective stitch, the holes forming part of which gives room for lines of braid or ribbon to be run in and out, adding considerably to its appearance and firmness.” The fabric is knitted lengthways, then turned sideways and sewn closed on two sides. The remaining open side becomes the drawstring opening at top.

The pattern calls for a total of fifteen sets of holes and I added a two stitch border to each side. The stitch sequence was very easily memorized and this bag knit up quickly. Too quickly, in fact, as racing along, I made mistakes in counting the sets of rows in the beginning but these are somewhat disguised by the woven ribbons.

The weaving was fairly easy but sewing down the edges of the ribbon on either side was time consuming. The pattern stated that this should be done on the seamed bag but I found it more comfortable to work on the flat knitted fabric before it was sewn into a round bag. Several rows were left unwoven, according to the pattern, for the area around the drawstring whose ends are sewn “neatly together two inches beyond the bag.” The top of the bag is supposed to be trimmed in a crocheted pattern included with the knitted one using a “steel crochet hook No. 17.” I do not know its modern size’s equivalent and since I do not really know how to crochet, I put an elementary chain stitch and looped border along the top, with a UK 10/3mm/C-D US sized crochet hook.

The bag holds its shape well with the woven ribbon bracing it but having completed the bag, I think the twine would be a better choice than a cotton yarn as the neck is rather weak and soft when worked in cotton.

This finished bag measures 10” tall, including the crocheted edge, and 6” wide. The twill ribbon is just under ¾” wide.

Knitted Bustle from 1847

This was a quick and easy project. The pattern, which is only three sentences long, is from The New Guide to Knitting and Crochet by Marie Jane Cooper, published by J.S. Cooper, Foreign and British Depot of Berlin Patterns and Materials for Ladies’ Fancy Works, Royal Marine Library, Hastings and Parry, Blenkarn & Co., London, 1847.

The suggested needles are “No. 1” and “No. 10” (modern equivalents are 6.5mm/ US 10.5 and 3.5mm/ US 4.) The recommended wool in the pattern is an “eight-thread fleecy;” I used Lion Brand’s Fishermen’s Wool in Natural.

The top of each piece is ribbed with the smaller sized needles, and the rest of the piece, on the larger sized needles, should be “knit” which I interpreted as knitting every row resulting in a garter stitched material. The three separate pieces, with respectively increasingly numbers of rows, all measure 15” across and 3 ½”, 4 ½”, and 5 ½” long. To assemble, the pattern states to “join them altogether at the part which is ribbed, and put it on a string.”  I used cotton woven tape for the waist’s ties.

The skirts of dresses of this era were full, finely gathered all round the waist.* According to the The Workwoman’s Guide** of 1838, this style of bustle was not meant to make an unnatural curve at the rear of the body as in the latter part of the 19^th century but to be “worn by those whose shape requires something to set off the skirt of the gown. They should not be too large, or they look indelicate, or in bad taste.” This “Plate 11,” from the pattern in The Workwoman’s Guide, illustrates cloth bustles (“Fig. 30, 32. “)

A similar bustle, dated 1833 and made of white cotton satin with linen tapes can be viewed here:

http://www.manchestergalleries.org/the-collections/search-the-collection/display.php?EMUSESSID=4d4ed491b2370dc13880da9da748f57c&irn=13470

*http://www.vam.ac.uk/content/articles/d/dating-clothes-1840s/

**The Workwoman's Guide by a Lady, London: Simpkin, Marshall, and Co., Stationers' Hall Court: Thomas Evans, Colmore Row, Birmingham, 1838